Tattoos emerged in the 1800s in the united states, andgermany became heavily tattooed in the 1950s
For much of the last century, many people believed that tattoos were associated with groups to be avoided or feared, but starting in the 1980s, tattoos were viewed less as a sign of potential social deviance and more as self-expression legal part. The process has been fueled by the popularity of tattoos among role models such as athletes, singers and actors, and it is believed that one in five adults in the UK is now tattooed.
In the decades since, tattoos have been largely reserved for minority cultures — at opposite ends of the social spectrum. While they continued to be associated with sailors, soldiers, and the criminal underclass, by the late 19th century they were also popular with the wealthy. The future Edward VII got a cross while visiting Jerusalem in 1862, and 20 years later the future George V got a dragon tattoo while serving in the Royal Navy. This inevitably set off a wave in high society.
The squatting scene in berlin is credited with inspiring the tattoo culture
Berlin-based tattoo artists can draw inspiration from a wealth of intellectual and cultural epics. Finally, it’s known for its bohemian environment, largely due to the influx of people of all kinds after the fall of the Berlin Wall. Space is cheap, squatting is in vogue, and artists are taking advantage of large, low-rent venues. Even though globalization is slowly changing metropolises around the world, this special city remains an inspiration to many…Tattooing in Berlin is by far the best way to appreciate the depth of history and art and culture here one.
In the heart of Germany there is a city of avant-garde artists that will surprise you. Berlin’s revolutionary history has inspired a diverse artistic culture that can often be seen on the streets, emanating from the metropolis’ tattoo parlors. The creative powerhouse’s expansive art scene is the perfect destination for your next piece, no matter what style it is. Getting a tattoo in Berlin should be on every collector’s wish list.
The squatting scene in berlin is associated with a more ecological way of life
“Squatting offers a radical yet simple solution to contemporary society’s housing crisis, homelessness, and lack of social space: occupying vacant buildings and rebuilding life and community in the process. Squatting has a long and complex history , the changing and contentious nature of urban politics over the past four decades. Squatting can be an individual conservation strategy or a collective experiment in coexistence. Squatting and self-governing social centers have contributed to a revival of urban struggle in Europe , and overlap with larger political projects. However, not all squatters have the same goals, resources, background, or desire for visibility. Squatting in Europe seeks to go beyond traditional understandings of squatting and examine its role in The history of Europe over the past forty years. In these surveys of squatting in the Netherlands, Italy, Spain, France, Germany and the United Kingdom, historical comparison and analysis intertwine. In them, members of the SqEK (Squatting Europe Collective) explore the The diverse, radical and often controversial nature of the squat as a radical research and self-managed form of knowledge production Miguel Martínez, Gianni Piazza, Hans Pruijt, Pierpaolo Mudu, Claudio Cattaneo, Andre Holm, Armin Kuhn, Linus Essays by Owens, Florence Bouillon, Thomas Aguilera, and ETC Dee.”
Back in the 1980s, West Berlin was a popular destination for techno raves and alternative squat lovers. But the fall of the Berlin Wall provided the decisive impetus that fueled Berlin’s creative dynamism. Suddenly, artists were flocking from all over the world, attracted by the city’s low real estate prices and media coverage. The abundance of abandoned urban spaces, combined with its free spirit, make the city a hotbed of cultural innovation, alternative music and ephemeral art. Berlin is a virgin land, an industrial wasteland waiting to be transformed into tech nightclubs such as Tresor, WMF or E-Werk built between Friedrichstrasse and Potsdamer Platz in the 1990s. The relatively low cost of living allowed clubs and bohemian artists to dominate Berlin’s cultural scene. After the return, the city was very short on resources. Cuts in public subsidies have led to the closure of several cultural centers, such as the Schiller Theater, but have also spurred innovation. Berliners know the saying: “Necessity is the mother of invention”. In the Weimar Republic, due to the bad economy, burlesque performed well in cabaret. “People have nothing to sell but their bodies,” explains a cabaret artist. Since the 1990s, the city government has been doing its best to promote cultural vitality: In 2016, the Berlin Tax Court allowed an ugly concrete building to enjoy the tax advantages of a high-class cultural center rather than a recreational venue, citing Berghain as a former power station in the Friedrichshain district , one of the most legendary nightclubs in the world.