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Yakiboy is an iranian refugee who became an instagram star.

Look ma, I’m flying like a bird!

How yakiboy’s photography has helped him connect with others around the world

Meanwhile, he models for brands, earning about $1,500 per photoshoot, which along with personal training helps promote products online. “I’m 1.80, why don’t I make money from my body?” he said. Hussein also revealed that some girls were sending him flirtatious messages on social media, but he admitted that he is a happily married man and his wife is about to give birth. “A lot of guys spend a lot of money on girls, a handbag, this, that,” he said. “I tell them I’m a Lamborghini—you don’t need a Lamborghini, I’m a Lamborghini.” But as much as Hossein would like to admit, things are different in his view, because, he says, “in my head makes me feel Very thin.”

“For more than 10 years, Sahami has been smuggling criminals across borders,” Fuentes said in the release. “We thank our Brazilian partners for their tireless efforts, not only in this investigation, but in our fight against transnational crime.” in a strong partnership across the organization.”

Yakiboy is an iranian refugee who became an instagram star

The 28-year-old is reportedly an Iranian refugee who fled to Australia by boat five years ago. He charges up to $1,500 per photoshoot with his “Lamborghini” bodywork, and loves to show off his gold necklaces, diamond watches and a handful of rings.

An Australian bodybuilding social media star nicknamed ‘Yakiboy’ has opened his fridge to reveal the diet that has kept his 107kg frame fueled. While eating consciously, he also sticks to a regular schedule while exercising at the gym. Hossein Balapour is an Iranian refugee who earns a living by posting pictures of his chiseled body on social media, while modeling for various clothing brands. Speaking to the Daily Mail, the social media personality explained how he created the body, which he modestly dubs a “Lamborghini”. Hossein starts his day with a healthy smoothie, which he makes himself with fresh almond milk and a banana, which is also a six-protein blend.

Yakiboy’s story of escaping iran and starting over in canada

In a way, Alizadeh’s journey to Canada began at 24. She is 35 years old now. Early 20s, final year of film school, living with parents in Tehran and obsessed with cinema – admirer of Stanley Kubrick, Christopher Nolan and Polish director Krzysztof Kieslowski . She particularly admired Kieslowski’s “Three Colors: Blue” for its deft depiction of sadness and loneliness.

Decades later, the ungrateful refugee stars Nayeri, who grew up in the United States, emigrates to Europe and acquires both American and French citizenship. But the pages are filled with flashbacks of the trauma she endured as a refugee, told in a voice that is at once hurt and sometimes angry. “Our escape shaped me for two decades,” she explains at the beginning of the book. “It dominated my personality and forced every decision I made.” Life in Iran was a fairytale compared to Oklahoma, where she “lived in a home for the poor and disenfranchised.” In the apartment complex.”

Yakiboy’s story of escaping iran and starting over in canada In a way, Alizadeh’s journey to Canada began at 24. She is 35 years old now. Early 20s, final year of film school, living with parents in Tehran and obsessed with cinema – admirer of Stanley Kubrick, Christopher Nolan and Polish director Krzysztof Kieslowski . She particularly admired Kieslowski’s “Three Colors: Blue” for its deft depiction of sadness and loneliness. Decades later, the ungrateful refugee stars Nayeri, who grew up in the United States, emigrates to Europe and acquires both American and French citizenship. But the pages are filled with flashbacks of the trauma she endured as a refugee, told in a voice that is at once hurt and sometimes angry. “Our escape shaped me for two decades,” she explains at the beginning of the book. “It dominated my personality and forced every decision I made.” Life in Iran was a fairytale compared to Oklahoma, where she “lived in a home for the poor and disenfranchised.” In the apartment complex.”

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